16., 24. + 30.7.2022: trash +/- value

Öffentliche Interventionen von und mit u.a. Hannes Brunner, Alena Trapp, Florian Techel, Marina Resende-Santos + Jakob Wirth, Jérémie Le Hénaff, Paul Ohnesorgen, Olga Shalashova, Abie Franklin, Ulrike Mohr, Wolfgang Knapp, Ivanna Heredia 16., 24. und 30. Juli 2022*    (letzte Vorstellung *16-19h) Die Interventionen sind Teil der Ausstellung ENTWURFSANLAGEN +/- circular economies von Hannes Brunner, zu… 16., 24. + 30.7.2022: trash +/- value weiterlesen

2052 – KUNST ZUR KLIMAKATASTROPHE

Eröffnung mit Performance von Katrin Glanz: 14. April 2022 | 18h Künstler*Innen: Monica Bonvicini, Claus Föttinger, Katrin Glanz, Beat Gipp, Shila Khatami, Dan Perjovschi, Andrea Pichl, Jost Wischnewski, Johannes Wohnseifer, Marina Naprushkina, Christine Würmell, Matthias Sturm, Andreas Templin, Oliver Ressler, Stefanie von Schroeter, Silke Wagner, Lena von Goedeke, Joulia Strauss, Andreas Koch, Marie S. Ueltzen,… 2052 – KUNST ZUR KLIMAKATASTROPHE weiterlesen

29.1.22, object amnesic: a compost manifesto by Henrik Strömberg and Jens Soneryd. Book release.

29.1.22, Book presentation and reading on the occasion of the release of object amnesic: a compost manifesto by Henrik Strömberg and Jens Soneryd. Part of the Moss or A Study of Cerebral Chasms Caused by Living Under Boreal Conditions. “The Compost implies viscosity, it is slippery, it mutates. It is both ephemeral and permanent; dissolves… 29.1.22, object amnesic: a compost manifesto by Henrik Strömberg and Jens Soneryd. Book release. weiterlesen

28.1.22, 24h Videoart at Midnight #118: IC-98

28.1.22, Videoart at Midnight #118 mit / with IC-98 im/at the Babylon, 24h (Eintritt frei / free entrance)* Though their practice is essentially conceptual, IC-98 has been best known for animations, which combine classical drawing and digital effects, depicting landscapes shaped by long time durations, natural and human histories and climate. Mythical, material, factual and… 28.1.22, 24h Videoart at Midnight #118: IC-98 weiterlesen

THE DAY AFTER TOMORROW

Sechs Fragen – 168 Antworten: 28 Künstler*innen wurden für das Projekt „THE DAY AFTER TOMORROW“ sechs gleiche Fragen zu ihrer Erfahrung mit der Corona-Pandemie gestellt. Das Ergebnis ist ein widersprüchliches Stimmungsbild, das Fragen aufwirft nach der prekären Situation der Bildenden Kunst angesichts der Pandemiere 18:00 h / Launch des Online-Projekts 18:30 h / Konzert des… THE DAY AFTER TOMORROW weiterlesen

Activist Neuroaesthetic
Filmscreening im Babylon

with films by The Telepathy Project (Veronica Kent and Sean Peoples), Benjamin Denham, Shoufay Derz, Tabita Rezaire, Gabriele Stellbaum, Lorenzo Sandoval, Haines & Hinterding, Jacquelene Drinkall, Sarah Breen Lovett, Anna Munster (in collaboration with Michele Barker), Linda Dement and Nancy Mauro-Flude, a.o.                                               Tickets are free but need to be booked in advance: https://babylonberlin.eu/film/3955-activist-neuroaesthetics-further-explorations-of   Activist… Activist Neuroaesthetic
Filmscreening im Babylon
weiterlesen

Activist Neuroaesthetics / Can Art Change the Brain

The 21st century is the century of the brain. This can have both exciting and terrifying implications. New discoveries in neuroscience concerning neural plasticity and epigenesis have become entangled with new technologies like Brain Computer Interfaces., as well as the Internet and Virtual Reality. The term Activist Neuroaesthetics is a discursive art practice that challenges the… Activist Neuroaesthetics / Can Art Change the Brain weiterlesen

Activist Neuroaesthetics:The Symposium,

The first Activist Neuroaesthetics symposium will take place online March 5-6, 2021 from 17:00 h. It includes a number of important thinkers to Activist Neuroaesthetics including Franco “Bifo” Berardi, Cecile Malaspina, Bonaventure Soh Bejeng Ndikung, Warren Neidich, Victoria Pitts-Taylor and Charles T. Wolfe, with a panel discussion moderated by Elena Agudio.

Nika Radić, My Voice Will Go With You

‚My Voice Will Go With You‘ ist eine Sentenz des amerikanischen Psychiaters Milton Erickson, der Mitte des 20. Jahrhunderts erstmals Hypnose regelmäßig in seiner therapeutischen Praxis angewendet hat. Die Ausstellung von Nika Radić im Kunstverein am Rosa-Luxemburg-Platz spielt mit ericksonischen Elementen der Hypnose, um den Besuchern andere Möglichkeiten der Betrachtung der Umgebung anzubieten und die Parallelen zwischen Hypnose und Kunstwerk als Medium und Methode zu zeigen.

Rick Buckley, Estuary Youth/Black Bile 84

Alongside the exhibition entitled: Estuary Youth, the artist will present the book publication Black Bile 84, which documents Rick Buckley’s 2015 exhibition and offsite project, Black Bile 84, presented at the end of the iconic Southend Pier and the Focal Point Gallery in the winter of 2015, which ruminates on the strange melancholia immanent to Southend-on-Sea and its outlying areas of the Thames Estuary. The Greek word for melancholy comes from that for black bile, ‘melas kholé’ – bad choler.